Jaar: | 2016 |
Muziek/Tekst: | Leland Wayne Kiari Cephus Quavious Marshall Robert Mandell Symere Woods G Koop |
Persoonlijke hitparade: | Aan persoonlijke hitparade toevoegen |
Binnenkomst: | 07/01/2017 (Positie 96) |
Laatste week notering: | 18/03/2017 (Positie 89) |
Piekpositie: | 41 (1 week) |
Chartrun: | |
Aantal weken: | 11 |
Positie aller tijden: | 11495 (405 Punten) |
In de landen: |
Tracks | |||||||||
28/10/2016 Digital Quality Control / 300 Entertainment 1168812085 | |||||||||
Toon details | Alles beluisteren | ||||||||
1. | Bad And Boujee (Explicit) | 5:34 | |||||||
28/10/2016 Digital Quality Control / 300 Entertainment 1168811657 | |||||||||
Toon details | Alles beluisteren | ||||||||
1. | Bad And Boujee (Clean Lyrics) | 5:34 | |||||||
03/02/2017 Digital Quality Control / 300 Entertainment 1200100091 | |||||||||
Toon details | Alles beluisteren | ||||||||
1. | Bad And Boujee | 3:27 | |||||||
Versie | Lengte | Titel | Label Nummer | Formaat Medium | Datum |
---|---|---|---|---|---|
Explicit | 5:34 | Bad And Boujee | Quality Control / 300 Entertainment 1168812085 | Single Digital | 28/10/2016 |
Clean Lyrics | 5:34 | Bad And Boujee | Quality Control / 300 Entertainment 1168811657 | Single Digital | 28/10/2016 |
5:43 | Culture | Quality Control / 300 559498-2 | Album CD | 27/01/2017 | |
3:27 | Bad And Boujee | Quality Control / 300 Entertainment 1200100091 | Single Digital | 03/02/2017 | |
5:35 | NRJ Pop RnB Dance 2017 | MCA 5376183 | Compilatie CD | 24/02/2017 |
Singles - Dutch Charts | Titel | Binnenkomst | Piek | Weken |
---|---|---|---|
Bad And Boujee (Migos feat. Lil Uzi Vert) | 07/01/2017 | 41 | 11 |
Slide (Calvin Harris feat. Frank Ocean & Migos) | 04/03/2017 | 21 | 26 |
Bon appétit (Katy Perry feat. Migos) | 20/05/2017 | 41 | 9 |
Walk It Talk It (Migos feat. Drake) | 03/02/2018 | 93 | 2 |
Stir Fry | 10/02/2018 | 77 | 3 |
Albums - Dutch Charts | Titel | Binnenkomst | Piek | Weken |
Culture | 04/02/2017 | 9 | 34 |
Culture II | 03/02/2018 | 2 | 35 |
Culture III | 19/06/2021 | 5 | 5 |
Singles - Dutch Charts | Titel | Binnenkomst | Piek | Weken |
---|---|---|---|
Bad And Boujee (Migos feat. Lil Uzi Vert) | 07/01/2017 | 41 | 11 |
XO Tour Llif3 | 29/04/2017 | 60 | 32 |
Baby Pluto | 14/03/2020 | 77 | 1 |
P2 | 14/03/2020 | 80 | 1 |
That Way | 14/03/2020 | 95 | 1 |
Albums - Dutch Charts | Titel | Binnenkomst | Piek | Weken |
Luv Is Rage 2 | 02/09/2017 | 13 | 14 |
Eternal Atake | 14/03/2020 | 2 | 17 |
Pluto x Baby Pluto (Future & Lil Uzi Vert) | 21/11/2020 | 26 | 2 |
Pink Tape | 08/07/2023 | 3 | 3 |
▒ ┌∩┐sh (◣_◢) it┌∩┐ ☺!!! | |
Laatst gewijzigd: 04/02/2017 08:12 | |
Saai | |
I don't know what Boujee is so I don't know whether I can agree with that. | |
Edit 21/4/18: stunning, stunning, stunning 5.5 Edit 29/6/18: all dat way 6 Laatst gewijzigd: 29/06/2018 03:18 | |
Op de een of ander manier heeft deze plaat het tot de #1 geschopt in de VS. Niet mijn muziek. Eentonig vooral en al die rare kreetjes tussendoor.. Nee, niets voor mij. | |
Ok.. | |
Ass poor. | |
With class relations, I'm reminded of the concept of the nouveau riche, the people whose riches come from their own hustle rather than inheritance. Historically, the latter group has shown themselves to despise the former, it's basically the plot to The Great Gatsby, where a perfectly reasonable man is put into conflict because of his status. I've also recently been reading a tranlation of Luo Guanzhong's Romance Of The Three Kingdoms, where nobility plays a key role in how people are respected; Yuan Shao is ready to dismiss Liu Bei from his contingent as a commoner despite the fact that his sworn brother had just slain a previously unstoppable enemy general. It's only once he makes the claim that he's a descendant of an emperor, that suddenly everything's ok. This concept is actually brought up in "Bad and Boujee", just about the first thing Offset mentions in the song is his 'new money' status. He flaunts it in the way that the nouveau riche are characterised as doing, something that will actively offend just about anyone not in the same situation. As it were, people are hideously offended by this song. Sometimes so blatantly that I see complaints seemingly made up on principle from the same people who just conveniently seem to hate every single rap song that doesn't have some overt pop element to tide them over (if they don't hate that for having the gall to cross over because of it!). I see this called mumble rap and that makes no sense to me whatsoever, Offset & Quavo's bars are so thoroughly pronounced, as per the typical fare for Migos. The flow is actually the main point of my review. Because the success of this song should be seen as a victory for (now hear me out because this next word is going to be extremely difficult to accept) talent. Music history is filled with artists taking the basis of something that someone else has done, scoring more success without pioneering anything. For years there were countless rappers coming through with songs co-opting the 'Migos flow', involving an extensive use of triplets to create a compelling flow. All while this was happening, Migos had only barely cracked the Hot 100 at all, and only after a co-sign from Drake. But in the aftermath of all that, it's Migos who have the Billboard #1 single and I find that inspiring. Even internally there's something to like about it. Quavo has always been the breakout star of Migos, perhaps due to his prolific collaborations around the place more than anything else, and Offset was in danger of being seen as the Pras of the group. So it's kind of amazing that their huge hit does so on the strength of Offset's hook, with that & his verse taking up well over half of the whole track. It's a shame Takeoff doesn't even appear on the song, as I'd readily take him over Lil Uzi. I'm ready to love this song all over again when it becomes a throwback. It's destined to be nostalgic as all heck. Laatst gewijzigd: 30/03/2017 14:31 | |
Muziek die eigenlijk beperkt moet blijven tot de Verenigde Staten.. | |
This is quite boring, but also very captivating for some reason. I really like the cover art, visual aesthetics and the general idea this is going for, but the lyrical presentation is a bit tacky. I can't believe I'm gonna rate this with 5* since it has the worst moment in a song from last year with that "yah yah yah" nonsense. However, that part comes just in time when the song becomes stale, so at least it has a purpose or I'm trying to give it credit for that. | |
In de kliko ermee! |